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a blog post tribute to the telegram

it is fas­ci­nat­ing to think back to the days when there was no inter­net and a lot of com­mu­ni­ca­tion took place via telegrams STOP and so I have decided to write this blog post in the style of a telegram from yes­ter­year COLON with­out punc­tu­a­tion STOP you may have already noticed just how hard it is to read a piece of writ­ing COMMA or any­thing for that mat­ter COMMA when there is no punc­tu­a­tion STOP it is kind of like lis­ten­ing to a per­son talk­ing in a mono­syl­labic style EN DASH is any­one else read­ing this in a stephen hawk­ing voice or is it just me QUESTION MARK any­ways I won­der what the old timey peo­ple would have thought of a word like any­ways being in a telegram ELLIPSIS FOR DRAMATIC EFFECT they prob­a­bly would have thought it was just a typo or as they would have called it a QUOTE MARKS typo­graph­i­cal error END QUOTE MARKS AND STOP yes COMMA indeed COMMA telegrams sure would have made peo­ples APOSTROPHE NO WAIT DOESNT THE APOSTROPHE GO AT THE END IF THE WORD AFTER IT IS POSSESSED BY SOMETHING PLURAL LIKE PEOPLE NO WAIT SORRY I GOT IT WRONG THE APOSTROPHE GOES AFTER THE S OF PEOPLES AND BEFORE WE GET TO LIVES SORRY CARRY ON AS YOU WERE lives eas­ier but they would have been painful to read all the time STOP wow EXCLAMATION MARK is any­one still read­ing this after all that QUESTION MARK per­son­ally I think I’m done with this telegram style of punc­tu­a­tion STOP I am not really a fan of read­ing text with­out para­graphs HASHTAG first­world­prob­lems STOP over and out STOP andrew KISS AND HUG

My First Video Blog Post

Writing with the kids of Maryborough

I headed out to the Vic­to­rian Gold­fields last week, not to look for gold for I was 160 years too late for that, but to visit grades four, five and six stu­dents from Mary­bor­ough Edu­ca­tion Cen­tre. The kids from MEC hung out with me at the Mary­bor­ough Library and lis­tened as I told sob sto­ries about my child­hood (my pri­mary school crushes were never ful­filled) and explained how I turned my sob sto­ries into a novel (turns out mis­ery makes for good stories).

They were an enthu­si­as­tic bunch of kids who treated me very well and were keen to do some quick group writ­ing too. Together we came up with a cou­ple of short sto­ries involv­ing giant tacos, foot­ball and luu­urve! You can check them out below. And to the kids, librar­i­ans and teach­ers of Mary­bor­ough — thanks for hav­ing me! *waves from Melbourne*

My crappy bullet point review of Tina Fey’s Bossypants

I’m fairly sure that when­ever an author, musi­cian or other creative-type sites some­one as being a great influ­ence, they’re legally oblig­ated to make some kind of ‘offi­cial com­ment’ when said influ­ence releases a new book, album or creative-type-thing. And hav­ing pre­vi­ously men­tioned Tina Fey in my author bios as being one of my idols, I now feel com­pelled (legally and not-in-any-way-legally) to review her mem­oir Bossy­pants.

But being the under­whelm­ing kind of per­son I’ve never quite man­aged to be, my review shall be a crappy, bul­let point review. Which is even crap­pier than I intended as bul­let points don’t work with my Word­Press theme (blog­ger FAIL). So play­ing the role of bul­let points today will be — aster­isks! Please make them feel welcome.

ME REVIEWING BOSSYPANTS, CRAPPILY

* Tina Fey really can memoir-write, just as well as she can sitcom-write and movie-write.

* I’m not usu­ally a laugh-out-loud-while-I’m-reading kind of guy but Bossy­pants had me audi­bly LOLing.

* Bossy­pants is a lot fun­nier than some of the later sea­sons of 30 Rock (think 30 Rock S01E10 to S02E15 and you’re close to what Bossy­pants is like).

* There’s barely a men­tion of Mean Girls (or Lind­say Lohan), which is just odd.

* Her insights on mod­el­ing and Pho­to­shop are fan­tas­tic (“Isn’t it bet­ter to have a com­puter do it to your pic­ture than to have a doc­tor do it to you face?”)

* As are her rec­ol­lec­tions of the Sarah Palin imper­son­ations, which hilar­i­ously cut between the con­cur­rently unfold­ing dra­mas of the Palin stuff, Oprah’s appear­ance on 30 Rock and the prepa­ra­tions for Fey’s young daughter’s Peter Pan-themed birth­day party.

* Any more bul­let points-asterisks and I’d be under­cut­ting my own claim to be doing a crappy review, so I’m cut­ting myself off here. Suf­fice to say, it’s an ace read. Nine out of ten.

How To Get Women Interested In Books Again?

Sad times, guys. Sad times. It turns out that the book world – an indus­try I had always pre­sumed to be dom­i­nated by women writ­ers, women read­ers and women work­ers – has fallen vic­tim to gen­der prej­u­dices and sex­ism. Women hardly ever seem to be short­listed for book awards any­more, they rarely write book reviews and the books that are reviewed are usu­ally books by men. This leads me to only one con­clu­sion: women have aban­doned books. At some point, they must have stopped writ­ing them, stopped read­ing them, sold their Ikea shelv­ing and left the lit­er­ary community.

It is dis­heart­en­ing to think about book­shops full of fel­las perus­ing the book­shelves with­out being able to peruse female perusers. Or to think of all the male employ­ees left in pub­lish­ing houses, con­demned to work only with col­leagues of their own gen­der (if only women knew how that felt). Or to think of all the his­tor­i­cal fic­tion that will now need to be ghostwritten.

When I think back to the times my own mother used to sit on the edge of my bed and read to me, I find I can no longer recall my mother actu­ally being there. No doubt this too is a sign of the times and is in no way related to what my ther­a­pist calls ‘aban­don­ment issues’.

But men (and women, if you’re read­ing this, although I’m lead to believe you don’t do that any­more) we must not delay. It’s a known fact that women make up some of the world’s pop­u­la­tion and I pro­pose that women could be a key read­ing demo­graphic for book­sellers and pub­lish­ers again.

But how to bring them back into the fold? There is lit­tle doubt that hav­ing given up on books, women have now been seduced by the other dis­trac­tions of the mod­ern world. Dis­trac­tions such as the inter­net, video games, social net­work­ing, The Social Net­work, other movies, play­ing ball on a string and play­ing ball on a string on the inter­net. It is becom­ing tougher and tougher to get peo­ple read­ing in gen­eral (let alone women). Rival medi­ums such as movies, tele­vi­sion and ebooks dom­i­nate in a world where read­ing has become old-fashioned.

So how do we get women off these dis­trac­tions and into books? Now that we know women, like teenagers, are addicted to any type of enter­tain­ment except for books, we sim­ply need to make books less like books and more like all of the above. That way, we’ll trick women back into books. We’ll put books on iPads, include some illus­tra­tions, ani­mate page cor­ners and add a few ready-to-play sounds to dif­fer­ent parts of the touch­screen tablet. We’ll just have to be care­ful that any text we include doesn’t dis­tract the reader from the fact that they’re read­ing a book.

Or we could organ­ise some kind of for­mal col­lec­tive of women, which joins together and con­nects socially through the prism of one inter­change­able book on, say, a monthly basis. We could even give it a snazzy name like For­mal Book Col­lec­tive. Or any other name that we come up with.

The book indus­try itself will need an injec­tion of women at grass­roots lev­els. So let’s try talk­ing to some women we know to see if they’d be inter­ested in pub­lish­ing books, staffing libraries, teach­ing at pri­mary schools or edit­ing lit­er­ary jour­nals. Now I can hear you say­ing already, Andrew, I just can’t imag­ine women dom­i­nat­ing so many thank­less posi­tions in the com­mu­nity. But I believe we can do. Because if there’s some­thing men know how to do, it’s try to get a woman to come back even when she really, truly doesn’t want to. We’ll try and try until the restrain­ing order comes and then we’ll start call­ing her friends. And that’s exactly the kind of ded­i­ca­tion we’ll need.

Finally, there are the women writ­ers. How to get them writ­ing books again, so that we might again see women nom­i­nated for book awards and reviewed in our news­pa­pers? This is pos­si­bly the hard­est ques­tion to answer. After all, you can­not eas­ily coax a woman into hav­ing an idea of her own that she slaves over for eight years and finally sub­mits to a pub­lish­ing house, before being under-compensated, over-hyped, pub­lished, not reviewed in favour of a review by a man for a man’s book and ignored by a panel of book award judges who…

Oh. I get it. Women are still writ­ing books. They’re just not being recog­nised by the gate­keep­ers. They’re prob­a­bly still read­ing and work­ing in books too. Oh, I’m sorry, lit­er­ary ladies. My bad. It’s just that I hadn’t heard about you for a while, and then I stopped think­ing about you and I didn’t see you pop up on Face­book and…well, any­way, I apol­o­gise. I will pay bet­ter atten­tion from now on. As soon as I fin­ish play­ing this crazy Alice in Won­der­land book on my iPad.

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